{"id":12390,"date":"2016-08-01T09:00:49","date_gmt":"2016-08-01T07:00:49","guid":{"rendered":"http:\/\/artclinic.org\/?p=12390"},"modified":"2023-03-22T15:05:08","modified_gmt":"2023-03-22T14:05:08","slug":"painting-restoration-for-dummies","status":"publish","type":"post","link":"https:\/\/artclinic.org\/en\/painting-restoration-for-dummies\/","title":{"rendered":"Painting restoration for dummies"},"content":{"rendered":"<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-background-position:left top;--awb-border-sizes-top:0px;--awb-border-sizes-bottom:0px;--awb-border-sizes-left:0px;--awb-border-sizes-right:0px;--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-padding-top:20px;--awb-padding-bottom:20px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-one-full fusion-column-first fusion-column-last fusion-column-no-min-height\" style=\"--awb-bg-size:cover;--awb-margin-bottom:0px;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\"><div class=\"fusion-text fusion-text-1\"><h1 style=\"text-align: center;\">Painting restoration for dummies<\/h1>\n<\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-1 fusion_builder_column_2_5 2_5 fusion-two-fifth fusion-column-first\" style=\"--awb-bg-size:cover;width:37.6%; margin-right: 4%;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\"><div class=\"fusion-image-element fusion-image-align-center in-legacy-container\" style=\"text-align:center;--awb-caption-title-font-family:var(--h2_typography-font-family);--awb-caption-title-font-weight:var(--h2_typography-font-weight);--awb-caption-title-font-style:var(--h2_typography-font-style);--awb-caption-title-size:var(--h2_typography-font-size);--awb-caption-title-transform:var(--h2_typography-text-transform);--awb-caption-title-line-height:var(--h2_typography-line-height);--awb-caption-title-letter-spacing:var(--h2_typography-letter-spacing);\"><div class=\"imageframe-align-center\"><span class=\" fusion-imageframe imageframe-none imageframe-1 hover-type-none\"><img decoding=\"async\" width=\"800\" height=\"945\" alt=\"Schilderij Rembrandt huwelijksportret Marten en Oopjen\" title=\"schilderij-restauratie-voor-dummies\" src=\"https:\/\/artclinic.org\/wp-content\/uploads\/2016\/09\/schilderij-restauratie-voor-dummies.jpg\" class=\"img-responsive wp-image-15289\" srcset=\"https:\/\/artclinic.org\/wp-content\/uploads\/2016\/09\/schilderij-restauratie-voor-dummies-339x400.jpg 339w, https:\/\/artclinic.org\/wp-content\/uploads\/2016\/09\/schilderij-restauratie-voor-dummies-677x800.jpg 677w, https:\/\/artclinic.org\/wp-content\/uploads\/2016\/09\/schilderij-restauratie-voor-dummies-768x907.jpg 768w, https:\/\/artclinic.org\/wp-content\/uploads\/2016\/09\/schilderij-restauratie-voor-dummies.jpg 800w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/span><\/div><\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-2 fusion_builder_column_3_5 3_5 fusion-three-fifth fusion-column-last\" style=\"--awb-bg-size:cover;--awb-margin-bottom:0px;width:58.4%;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\"><div class=\"fusion-text fusion-text-2\"><p style=\"text-align: left;\">We all know those well-meant advices of granny from the good old days. You can also find many websites on internet on how to <strong>restore<\/strong> or <strong>clean<\/strong> a <strong>painting<\/strong> yourself. These advices vary from using an onion, potato, water with a little soap to using alcohol. Although all these products may have some properties they may help to improve the quality of a painting visibly, the chances of bringing permanent damage to the painting permanently are much higher.<\/p>\n<h2 style=\"text-align: left;\">Do-it-yourself restoration<\/h2>\n<p>A potato and onion are full of water and can make the paint come loose. They can also scratch the surface. Abrasive materials and soap are based on acids and only one drop could make the paint dissolve and bring an irreversible chemical reaction.<\/p>\n<p>The use of alcohol is even more risky. Although every <a href=\"https:\/\/artclinic.org\/profile-patricia-ortiz\/\">art restorer<\/a> uses this liquid compound on daily basis, a layman usually can\u2019t see the difference between surface dirt, the varnish layer or the color of dark paint that remains on the cotton. When working with alcohol they all show a same color on the cotton. What may seem dirt at first sight could be the removal of a layer of paint in reality.<\/p>\n<p style=\"text-align: left;\">To underline my warmings, I will show a typical <strong>\u201cpainting restoration for dummies\u201d<\/strong> instruction-video (n Dutch) that makes believe that <strong>cleaning of a painting<\/strong> is a <strong>do-it-yourself<\/strong> job that anyone can do. Literally and figuratively to get tears in your eyes&#8230; <i class=\"fa fa-smile-o\"><\/i><\/p>\n<\/div><div class=\"fusion-video fusion-youtube image-carousel\" style=\"--awb-max-width:600px;--awb-max-height:338px;\"><div class=\"video-shortcode\"><div class=\"fluid-width-video-wrapper\" style=\"padding-top:56.33%;\" ><iframe title=\"YouTube video player 1\" src=\"https:\/\/www.youtube.com\/embed\/hIpqgMP3WOk?wmode=transparent&autoplay=0&amp;rel=0\" width=\"600\" height=\"338\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture;\"><\/iframe><\/div><\/div><\/div><div class=\"fusion-text fusion-text-3\"><p style=\"text-align: center;\"><span style=\"color: #ff0000; background-color: yellow; border-color: #584b3b;\"><strong>!!!!! WARNING! NEVER TRY THIS YOURSELF AT HOME !!!!!<\/strong><\/span><\/p>\n<\/div><div class=\"fusion-text fusion-text-4\"><h2 style=\"text-align: left;\">Ecce Homo<\/h2>\n<p>Another living example is the \u201crestoration\u201d of a 19th century <strong>mural painting<\/strong> by an elderly woman. This fresco <strong>&#8220;Ecce Homo&#8221;<\/strong> has been painted by <a href=\"https:\/\/en.wikipedia.org\/wiki\/El%C3%ADas_Garc%C3%ADa_Mart%C3%ADnez\" target=\"_blank\" rel=\"noopener\"><strong>Elias Garcia Martinez<\/strong>,<\/a> on a wall of the \u201cSantuario de Misericodia\u201d church in the village <a href=\"https:\/\/en.wikipedia.org\/wiki\/Borja,_Zaragoza\" target=\"_blank\" rel=\"noopener\"><strong>Borga<\/strong><\/a>, close to Zaragoza, Spain.<\/p>\n<p>The intentions of the elderly woman, named <strong>Cecilia Gomez<\/strong>, were so good. She already came her whole life in the little church on top of the mountains of the Borga. She married there, her two sons were baptized there and her summer-house is only 50 meters away. So when she noticed that the fresco really needed a new layer of paint, the hobby painter decided to take up her brushes. In this way she could save money for the church in times where it\u2019s difficult to raise the financial means required for such restoration.<\/p>\n<p>The images below show the laughable but above all devastating result of her good intentions:<\/p>\n<\/div><div class=\"fusion-image-carousel fusion-image-carousel-auto fusion-image-carousel-1 lightbox-enabled image-carousel\"><div class=\"awb-carousel awb-swiper awb-swiper-carousel awb-carousel--carousel awb-swiper-dots-position-bottom\" data-layout=\"carousel\" data-autoplay=\"no\" data-autoplayspeed=\"2500\" data-autoplaypause=\"no\" data-loop=\"yes\" data-columns=\"1\" data-columnsmedium=\"1\" data-columnssmall=\"1\" data-itemmargin=\"13\" data-itemwidth=\"180\" data-touchscroll=\"no\" data-freemode=\"no\" data-imagesize=\"auto\" data-scrollitems=\"0\" data-centeredslides=\"no\" data-rotationangle=\"50\" data-depth=\"100\" data-speed=\"500\" data-shadow=\"no\" data-pagination=\"bullets\" style=\"--awb-columns:1;\"><div class=\"swiper-wrapper awb-image-carousel-wrapper fusion-flex-align-items-center\"><div class=\"swiper-slide\"><div class=\"fusion-carousel-item-wrapper\"><div class=\"fusion-image-wrapper hover-type-none\"><a data-rel=\"iLightbox[image_carousel_1]\" data-title=\"restauratie-fresco-mislukt\" aria-label=\"restauratie-fresco-mislukt\" href=\"https:\/\/artclinic.org\/wp-content\/uploads\/2016\/09\/restauratie-fresco-mislukt.jpg\" target=\"_self\"><img decoding=\"async\" width=\"1024\" height=\"525\" src=\"https:\/\/artclinic.org\/wp-content\/uploads\/2016\/09\/restauratie-fresco-mislukt.jpg\" class=\"attachment-full size-full\" alt=\"Rembrands schilderijen komen thuis\" srcset=\"https:\/\/artclinic.org\/wp-content\/uploads\/2016\/09\/restauratie-fresco-mislukt-400x205.jpg 400w, https:\/\/artclinic.org\/wp-content\/uploads\/2016\/09\/restauratie-fresco-mislukt-768x394.jpg 768w, https:\/\/artclinic.org\/wp-content\/uploads\/2016\/09\/restauratie-fresco-mislukt-800x410.jpg 800w, https:\/\/artclinic.org\/wp-content\/uploads\/2016\/09\/restauratie-fresco-mislukt.jpg 1024w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><\/div><\/div><\/div><\/div><div class=\"awb-swiper-button awb-swiper-button-prev\"><i class=\"awb-icon-angle-left\" aria-hidden=\"true\"><\/i><\/div><div class=\"awb-swiper-button awb-swiper-button-next\"><i class=\"awb-icon-angle-right\" aria-hidden=\"true\"><\/i><\/div><\/div><\/div><div class=\"fusion-text fusion-text-5\"><p style=\"text-align: center;\">The original mural painting on the left image. The middle one shows the fresco just before restoration and on the right final result after restoration.<\/p>\n<\/div><div class=\"fusion-text fusion-text-6\"><p>Although the art world reacted shocked, the failed restoration also had a positive side-effect for the local community. The church has grown into an attraction that is being visited by tourists from the whole world. Where in the past about 10 thousand of people visited the village yearly, this number has increased to almost hundred thousand. The village responded in a commercial way. A new tourist center, focusing on the mural painting, has been opened. Local charities benefit from the revenues of the admission tickets.<\/p>\n<p>Probably the revenues from admission tickets could also support a professional restoration of the fresco. Although local commercial interests will probably always prevail over the cultural heritage.<\/p>\n<p style=\"text-align: left;\">Please enjoy the amusing video below on this story:<\/p>\n<\/div><div class=\"fusion-video fusion-youtube youtube\" style=\"--awb-max-width:600px;--awb-max-height:338px;\"><div class=\"video-shortcode\"><div class=\"fluid-width-video-wrapper\" style=\"padding-top:56.33%;\" ><iframe title=\"YouTube video player 2\" src=\"https:\/\/www.youtube.com\/embed\/RfT-Hy7ti0A?wmode=transparent&autoplay=0&amp;rel=0\" width=\"600\" height=\"338\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture;\"><\/iframe><\/div><\/div><\/div><div class=\"fusion-text fusion-text-7\"><h2>Who\u2019s Afraid of Red, Yellow and Blue<\/h2>\n<p>From the previous examples is may be crystal clear that my advice is to always consult a professional art restorer and use his\/her expertise before you start sort of messing around with a painting yourself. Nevertheless, also on a professional level, things can go really wrong. A case that has been in publicity for many years was the restoration of the painting \u201c<strong>Who\u2019s afraid of Red, Yellow and Blue<\/strong>\u201d by the artist <a href=\"https:\/\/en.wikipedia.org\/wiki\/Barnett_Newman\" target=\"_blank\" rel=\"noopener\"><strong>Barnett Newman<\/strong><\/a>. This painting was severely damaged in 1986 in the <a href=\"http:\/\/www.stedelijk.nl\/en\" target=\"_blank\" rel=\"noopener\">Stedelijk Museum<\/a> in Amsterdam. A psychic man used a knife to make many big cuts in the painting. During the restoration however, it really went wrong\u2026<\/p>\n<\/div><div class=\"fusion-image-carousel fusion-image-carousel-auto fusion-image-carousel-2 lightbox-enabled image-carousel\"><div class=\"awb-carousel awb-swiper awb-swiper-carousel awb-carousel--carousel awb-swiper-dots-position-bottom\" data-layout=\"carousel\" data-autoplay=\"no\" data-autoplayspeed=\"2500\" data-autoplaypause=\"no\" data-loop=\"yes\" data-columns=\"1\" data-columnsmedium=\"1\" data-columnssmall=\"1\" data-itemmargin=\"13\" data-itemwidth=\"180\" data-touchscroll=\"no\" data-freemode=\"no\" data-imagesize=\"auto\" data-scrollitems=\"0\" data-centeredslides=\"no\" data-rotationangle=\"50\" data-depth=\"100\" data-speed=\"500\" data-shadow=\"no\" data-pagination=\"bullets\" style=\"--awb-columns:1;\"><div class=\"swiper-wrapper awb-image-carousel-wrapper fusion-flex-align-items-center\"><div class=\"swiper-slide\"><div class=\"fusion-carousel-item-wrapper\"><div class=\"fusion-image-wrapper hover-type-none\"><a data-rel=\"iLightbox[image_carousel_2]\" data-title=\"Whos-Afraid-of-Red-Yellow-and-Blue-Barnet-Newman-Stedelijk-Museum\" aria-label=\"Whos-Afraid-of-Red-Yellow-and-Blue-Barnet-Newman-Stedelijk-Museum\" href=\"https:\/\/artclinic.org\/wp-content\/uploads\/2016\/09\/Whos-Afraid-of-Red-Yellow-and-Blue-Barnet-Newman-Stedelijk-Museum.jpg\" target=\"_self\"><img decoding=\"async\" width=\"1000\" height=\"607\" src=\"https:\/\/artclinic.org\/wp-content\/uploads\/2016\/09\/Whos-Afraid-of-Red-Yellow-and-Blue-Barnet-Newman-Stedelijk-Museum.jpg\" class=\"attachment-full size-full\" alt=\"Whos-Afraid-of-Red-Yellow-and-Blue by Barnett Newman\" srcset=\"https:\/\/artclinic.org\/wp-content\/uploads\/2016\/09\/Whos-Afraid-of-Red-Yellow-and-Blue-Barnet-Newman-Stedelijk-Museum-400x243.jpg 400w, https:\/\/artclinic.org\/wp-content\/uploads\/2016\/09\/Whos-Afraid-of-Red-Yellow-and-Blue-Barnet-Newman-Stedelijk-Museum-768x466.jpg 768w, https:\/\/artclinic.org\/wp-content\/uploads\/2016\/09\/Whos-Afraid-of-Red-Yellow-and-Blue-Barnet-Newman-Stedelijk-Museum-800x486.jpg 800w, https:\/\/artclinic.org\/wp-content\/uploads\/2016\/09\/Whos-Afraid-of-Red-Yellow-and-Blue-Barnet-Newman-Stedelijk-Museum.jpg 1000w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><\/a><\/div><\/div><\/div><\/div><div class=\"awb-swiper-button awb-swiper-button-prev\"><i class=\"awb-icon-angle-left\" aria-hidden=\"true\"><\/i><\/div><div class=\"awb-swiper-button awb-swiper-button-next\"><i class=\"awb-icon-angle-right\" aria-hidden=\"true\"><\/i><\/div><\/div><\/div><div class=\"fusion-text fusion-text-8\"><p style=\"text-align: center;\">The original painting by Barnett Newman<\/p>\n<\/div><div class=\"fusion-text fusion-text-9\"><h3>Restoration<\/h3>\n<p>The contract for the restoration was awarded to the US restoration firm Goldreyer with <strong>Daniel Goldreyer<\/strong> in charge as chief art restorer. The estimated cost of the restoration is around 1 million Dutch guilder (about 450,000 Euro). Four years later the job has been done and the restored painting is being presented to the public under great interest. Directly something seems wrong. An official report confirms what the own <strong>restorer<\/strong> of the Stedelijk Museum already susprected: the canvas has been completely repainted. What makes it worse: not only another color red has been used for the repainting, but also xylene, a solvent that impairs the original paint. This leads to the dramatic conclusion that the repainting cannot be reversed. This is a fundamental breach of the requirement of reversibility. For more on ethics in painting restoration, please see my <a href=\"https:\/\/artclinic.org\/rembrandt-and-the-ethics-of-painting-restoration\/\">blog on Rembrandt<\/a>.<\/p>\n<\/div><div class=\"fusion-image-carousel fusion-image-carousel-auto fusion-image-carousel-3 lightbox-enabled image-carousel\"><div class=\"awb-carousel awb-swiper awb-swiper-carousel awb-carousel--carousel awb-swiper-dots-position-bottom\" data-layout=\"carousel\" data-autoplay=\"no\" data-autoplayspeed=\"2500\" data-autoplaypause=\"no\" data-loop=\"yes\" data-columns=\"1\" data-columnsmedium=\"1\" data-columnssmall=\"1\" data-itemmargin=\"13\" data-itemwidth=\"180\" data-touchscroll=\"no\" data-freemode=\"no\" data-imagesize=\"auto\" data-scrollitems=\"0\" data-centeredslides=\"no\" data-rotationangle=\"50\" data-depth=\"100\" data-speed=\"500\" data-shadow=\"no\" data-pagination=\"bullets\" style=\"--awb-columns:1;\"><div class=\"swiper-wrapper awb-image-carousel-wrapper fusion-flex-align-items-center\"><div class=\"swiper-slide\"><div class=\"fusion-carousel-item-wrapper\"><div class=\"fusion-image-wrapper hover-type-none\"><a data-rel=\"iLightbox[image_carousel_3]\" data-title=\"Whos-Afraid-of-Red-Yellow-and-Blue-Barnet-Newman-Stedelijk-Museum-Beschadigd\" aria-label=\"Whos-Afraid-of-Red-Yellow-and-Blue-Barnet-Newman-Stedelijk-Museum-Beschadigd\" href=\"https:\/\/artclinic.org\/wp-content\/uploads\/2016\/09\/Whos-Afraid-of-Red-Yellow-and-Blue-Barnet-Newman-Stedelijk-Museum-Beschadigd.jpg\" target=\"_self\"><img decoding=\"async\" width=\"624\" height=\"374\" src=\"https:\/\/artclinic.org\/wp-content\/uploads\/2016\/09\/Whos-Afraid-of-Red-Yellow-and-Blue-Barnet-Newman-Stedelijk-Museum-Beschadigd.jpg\" class=\"attachment-full size-full\" alt=\"Damaged Whos-Afraid-of-Red-Yellow-and-Blue by Barnett Newman\" srcset=\"https:\/\/artclinic.org\/wp-content\/uploads\/2016\/09\/Whos-Afraid-of-Red-Yellow-and-Blue-Barnet-Newman-Stedelijk-Museum-Beschadigd-400x240.jpg 400w, https:\/\/artclinic.org\/wp-content\/uploads\/2016\/09\/Whos-Afraid-of-Red-Yellow-and-Blue-Barnet-Newman-Stedelijk-Museum-Beschadigd.jpg 624w\" sizes=\"(max-width: 624px) 100vw, 624px\" \/><\/a><\/div><\/div><\/div><\/div><div class=\"awb-swiper-button awb-swiper-button-prev\"><i class=\"awb-icon-angle-left\" aria-hidden=\"true\"><\/i><\/div><div class=\"awb-swiper-button awb-swiper-button-next\"><i class=\"awb-icon-angle-right\" aria-hidden=\"true\"><\/i><\/div><\/div><\/div><div class=\"fusion-text fusion-text-10\"><p style=\"text-align: center;\">The severely damaged painting by Barnett Newman<\/p>\n<\/div><div class=\"fusion-text fusion-text-11\"><h3>Sling mud<\/h3>\n<p>What follows is a legal battle of years with both parties pitted against each other. The Museum claims a cost for damage and breach of contract. The art restorer declines any liability en claims compensation for reputation damage. Only many years later the city of Amsterdam settles the case simply because continuing the law suit would keep costing a disproportionate amount of money. So in this case money wins\u2026<\/p>\n<p>To avoid new claims, the forensic research report of the Judicial Laboratory has been securely locked in a safe for many years. Some years ago the report was made public. It confirms all fears: the restoration was shoddy work. The painting has been on a temporary exposition only once since then. The art work has been destroyed in perpetuity &#8211; forever.<\/p>\n<\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":15289,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[169],"tags":[223],"class_list":["post-12390","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-restoration-en","tag-stedelijk-museum-en"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/artclinic.org\/en\/wp-json\/wp\/v2\/posts\/12390","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artclinic.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artclinic.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artclinic.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/artclinic.org\/en\/wp-json\/wp\/v2\/comments?post=12390"}],"version-history":[{"count":0,"href":"https:\/\/artclinic.org\/en\/wp-json\/wp\/v2\/posts\/12390\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artclinic.org\/en\/wp-json\/wp\/v2\/media\/15289"}],"wp:attachment":[{"href":"https:\/\/artclinic.org\/en\/wp-json\/wp\/v2\/media?parent=12390"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artclinic.org\/en\/wp-json\/wp\/v2\/categories?post=12390"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artclinic.org\/en\/wp-json\/wp\/v2\/tags?post=12390"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}